![]() ![]() ![]() Image details Search stock photos by tags Similar stock. Therefore we simply place a mental inscription over the portal to these fanciful journeys: "Abandon Your Senses, All Ye Who Enter Here. Film still from A Song to Remember starring Comel Wilde, Merle Oberon, Paul Muni, and Nina Foch. Further, the music is, for the most part, in public domain, cancelling out copyright costs. The subjects and families are all conveniently deceased, and it's fair game without risk of lawsuits or infringment cases. Legally filmmakers have no worries over such exploitation. Were only life really as dramatically pat as this. Thus we can thrill to the the pianism of Jose Iturbi, revel in the beauty and grace of Merle Oberon, enjoy the young and debonair Cornell Wilde, and devour the rococo posturings of Paul Muni. Is it truly a song without end? In "A Song to Remember" we are required to suspend our historical knowledge and go with the flow of romantic melodrama, as the life and career of the Chopin is brazenly exploited for dramatic purposes. Thus we have Lizst ("Song Without End") Mozart ("Amadeus") Beethoven ("Immortal Beloved") Schumann and Brahms ("Song of Love") Kern ("Til the Clouds Roll By") Rodgers and Hart ("Words and Music") and countless others being given The Treatment. Yet screenplay writers, producers and directors go on concocting characters that never existed, situations that never took place, and scenes that impose 'modern' views upon 'classic' events. Not much there in the way of dramatic subject material. It was about problems of form, balance, themes, voicings, instrumentation and the like - in other words, matters concerning the elements of music. Theirs was a world of technical concentration, dedication and execution. In truth, the dramatic power and emotional expressiveness undoubtedly took place in their studios, where all the action and revelation raged within their heads, through their fingers, and onto score paper. The colorful film biography of Frederic Chopin, played by Cornell Wilde, with Paul Muni in fine form as Chopins mentor. What makes filmmakers constantly churn out these gross fabrications on composers? Probably because with all the emotional and dramatic power of their music, these creative artists surely must have lived very exciting lives. ![]() It is a superficial and inaccurate account of Frederic Chopin, executed with rich production values, colorful performances, and fine piano renderings on the soundtrack. "A Song to Remember" is one of many bios and biopics based on the lives and careers of great composers. ![]()
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